walking bird pressI have always loved books. As a child, I made weekly visits to the bookmobile, a cramped but magical bus which brought new books to the neighborhood every week. Ballerinas! Polar Bears! All mine with my pass to the world: a library card. Twenty years later, as a graduate student in painting, I discovered the magic of letterpress printing and typography. I took a bookbinding course taught by the conservator of the University of Wisconsin Library and I enrolled in Typography. My first books in grad school were published with the imprint Pterodactyl Press (I liked the homophonic Ptero/Tara and the extinct raptor/ obsolete printing connection), and when I moved to New York in 1987, I changed the press name to walking bird press. Between 1987 and 1992, I took courses at the Center for Book Arts in New York City. Through their Work-Study program, I was able to work in the letterpress area in exchange for taking classes and I had the good fortune to take classes with Carol Barton, Hedi Kyle, Barbara Mauriello, Scott McCarney, Susan Share, Carolyn Chadwick and other inspiring books artists. In one of these workshops, I met Zahra Partovi, binder for Vincent FitzGerald & Co., who was looking for an assistant. I worked part-time with Partovi for about a year, then began teaching Art at Rockland Country Day School in Congers, NY. In 1992 I moved to Newfoundland with a Vandercook and 6 cabinets of type. I continue to paint and make books and have taught workshops to all ages, from kindergarteners to adults. I have worked in the ArtsSmarts and Artists in the Schools programmes, as well as teaching classes through MUN Lifelong Learning, the Anna Templeton Centre and St. Michael’s Printshop. I love the tactile experience of holding and reading a book– the intimacy created between the viewer and object. The creative process in making books is also quite different from the act of painting, in my experience. I continue to make books because the process uses a different part of my brain than painting, and gives me a chance to combine verbal ideas and interesting materials in work the viewer can touch. Library and Archives Canada - walking bird press
|
| Editioned | |||
|
Transaction Three and Transaction Four |
Good Against the Nightmare |
My Three Dogs |
![]() Transaction One and Transaction Two |
![]() World Without End |
![]() Two Metaphysical Threes |
![]() Henry and Rose Go To Camp |
![]() Gros Morne Time Lines |
![]() Tablelands |
![]() Bonne Bay |
Queen of Hearts |
![]() The Deaths of the Two Dans |
![]() In the Hands of the Wind |
![]() Pancho and the (non- existent) Bears |
![]() Great Wall |
![]() Down the Rabbit Hole |
![]() Jack! (sold out) |
L'anse Amour / L'anse aux Morts |
![]() To Stretch the Night |
|
One of a Kind (please contact Tara regarding pricing and availability) |
|||
![]() The Ecosystem is Inconvenient |
An Angel Took My Hand |
![]() Sonnet to a Child |
![]() The Send-off |
|
Improv 1 |
Improv 2 |
Improv 3 |
Improv 4 |
|
Improv 5 |
Improv 6 |
Improv 7 |
Swiles Cove |
|
Ocean Ice | |||
| home | walking bird press | paintings | cards & tee-shirt | contact | vita | Tara's blog These images may not be reprinted or reproduced in any form without prior written permission |